TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Voicing Beethoven's Distant Beloved
Fantasy Pieces - Metrical Dissonance in The Music of Robert Schumann - Harald Krebs | PDF | Robert Schumann | Rhythm
MTO 10.4: Schmalfeldt, “Coming Home”
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
The inner musical workings of Robert Schumann, 1828-1840 : in two volumes
PDF) Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism | Brian Witkowski - Academia.edu
Hearing Absence (Part III) - Music, Subjectivity, and Schumann
Schumann's Piano Cycles and the Novels of Jean Paul
Reviews
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
The Journey of the Song Cycle from “The Iliad” to “American Idiot” By: Katrina Gingerich | Musical Offerings
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
University Press, 2000. vii, 270 pp.
